Spanning her major bodies of work from tothe exhibition includes work from series including: This very physical and psychological environment of the home and harem haunts the artist, in the sense that it constitutes the space and the culture of her childhood within her. Her most recent series Bullets Leila essaydi a new material for the artist—silver and gold bullet casings—which she has woven together to create glittering gowns of armor.
Crossing Boundaries, Bridging Cultures. In short, I invite the viewer to resist stereotypes. Through this combined use of space, calligraphy, henna and costume, Essaydi explores Leila essaydi function of women as decorative features within the context of vernacular architecture. Since her first major series Converging TerritoriesEssaydi has used henna to envelope the women in her photographs in Arabic calligraphy, a skill she could not learn in school due to her gender.
In her Harem seriesset in a lavish yet isolating harem in Morocco, Essaydi addresses the complex social and physical confines of Muslim womanhood. The artist currently lives in Boston and Marrakesh.
Essaydi productively uses the bullet as a disturbing metaphor with its continued relevance. By placing Orientalist fantasies of Arab women and Western stereotypes in dialogue with lived realities, Essaydi presents identity as the culmination of these legacies, yet something that also expands beyond culture, iconography, and stereotypes.
The artist designs fabrics for the subjects that mimic the patterns within the palace, picking up on details from the mosaic, stucco, stained glass, and carved wood. Upon closer inspection, however, every item, from clothing to the walls, is made up of carefully cut and polished bullet casings.
In these series, thousands of bullet casings are meticulously sewn together to create a mantle of gold that is draped from ceiling to floor. Here, Essaydi has lifted her veiled beauties out from their backdrops very much puts them at the forefront, glittering and glimmering in all of their glory.
These vintage textiles, which were created between the 17th century to the early 20th century for use in wedding ceremonies, to decorate palaces and the harem area, were all generously loaned to Essaydi from the Nour and Boubker Temli collection.
Chromogenic print mounted to aluminum with a UV protective laminate Essaydi also weaves together a rich roster of culturally embedded materials and practices—including the odalisque form, Arabic calligraphy, henna, textiles, and bullets—to illuminate the narratives that have been associated with Muslim women throughout time and across cultures.
Essaydi uses intricate calligraphic text drawn in henna instead of ink to fill everything from the walls to the fabrics her Odalisques wear. Her reinterpretation is a strong statement of the power of artistic representation to influence identity. What is key here is that the art of calligraphy itself is traditionally a male-dominated realm, yet Essaydi appropriates it with the ultra-feminine medium of henna used by women to create decorative patterns for special occasions such as weddings.
This layer of calligraphy conceals the uncovered parts of the female bodies and in this sense assumes an allegorical dimension:Lalla Essaydi's refined work belies its subversive, challenging nature.
Moroccan-born, Essaydi became an artist after relocating from Saudi Arabia to the United States. Lalla A. Essaydi grew up in Morocco and now lives in USA where she received her MFA from the School of the Museum of Fine Arts/TUFTS University in May Essaydi's work is represented by Howard Yezerski Gallery in Boston and Edwynn Houk Gallery in.
Leila Heller Gallery. She Who Tells a Story: Women Photographers from Iran and the Arab World, National Museum of Women in the Arts. View all. Lalla Essaydi was born in Morocco and spent part of her childhood in Saudi Arabia, before studying art.
Lalla A. Essaydi (born ) is a Moroccan-born photographer known for her staged photographs of Arab women in contemporary art. She currently works in Boston, Massachusetts, and Morocco. Her current residence is in New York.
Lalla Essaydi is a contemporary Moroccan photographer and painter. Her work focuses on Arabic female identity explored through a 19th-century Orientalist style, wherein the artist hand-paints Arabic calligraphy in henna on different surfaces, such as fabric, bodies, and walls.
Her photographs. BIOGRAPHY. Lalla A. Essaydi grew up in Morocco and now lives in USA where she received her MFA from the School of the Museum .Download